Peak's design consultant was none other than Chris Huggett, the man behind Bass Station, Supernova, OSCar and many more legendary synths. Peak has its origin in the Bass Station II analogue monosynth, and Peak's oscillators sound completely analogue by being high-quality NCOs (Numerically-Controlled Oscillators), but gain the flexibility of the digital domain with 17 digital wavetables.
With Peak you can roaden out your electronic music, draw in new influences and take artistic risks. The modulation system puts the most frequently used assignments right at your fingertips in the main controls. More elaborate movements and secondary 'via' assignments are made just a few menu button presses away.
Tech SpecProduct Hardware Specifications- 42 Control knobs - 8 35mm Sliders - 1 Volume knob - 2 Data encoders - Rubberised knob caps with spun metal discs - 30 Function buttons (not lit) - 16 Function buttons (lit) - 2 Animate buttons plus hold button - 90 Indicator LEDs - OLED display - Kensington Security Slot - Power switch - Power supply connector - USB socket for system / MIDI comms only (no bus-power) - MIDI In / Out / Thru - 2 1/4" jack socket for continuous or switched pedals - 3.5mm jack socket for CV in - 1/4" jack sockets for left and right outputs - 1/4" jack socket for headphone output - Metal chassis with American walnut wooden end cheeks - Metal magnetic inset end piecesSynth Engine- 8 voice polyphonic (voice modes available unison etc.) - Mono-Timbral - 5 Voice Modes - Mono, MonoLG, Mono2, Poly, Poly2Per voice- 3 oscillators - 1 noise generator - 1 ring modulator - 2 LFOs - 1 Amp envelope and 2 mod envelopes - 1 FilterWaveforms include:- Sine, tri, sawtooth, square / pulse plus 17 wavetables of 5 waveforms per rowFilter- 1x State variable OTA filter per voice - 12/24dB slope - Low-pass / band-pass / high-pass - Pre-filter overdrive - Post-filter distortionModulation- 16 modulation slots per patch - Each slot has 2 sources to 1 destinationMod sources (17)- Direct (depth) - Modulation wheel - Aftertouch (polyphonic and channel AT) - Expression pedal 1 - Expression pedal 2 - Keyboard velocity - LFO1 positive - LFO1 bi-polar - LFO2 positive - LFO2 bi-polar - Amp envelope - Mod envelope 1 - Mod envelope 2 - Animate 1 - Animate 2 - CV mod input bi-polarMod destinations (37)- Oscillator 1-3 frequency, v-sync level, shape amount and level - Noise source level - Ring modulator output level - Overal synth output level - Filter drive, distortion, cut-off frequency and resonance - LFO 1 and 2 frequency - Amp env / mod env 1 / mod env 2 attack, decay and release - FM Osc 1 -> osc 2, osc 2 -> osc 3, osc 3 -> osc 1 and noise -> osc 1 - Osc 3 -> filter cutoff frequency - Noise -> filter cutoff frequencyEffects- Analogue distortion - Chorus - 3 types - Delay with 16 types of delay sync, LP and HP damping, slew and stereo - Reverb - 3 typesMisc- Arpeggiator w/ key latch # 33 patterns - Patch storage - up to 512 on hardware (ships with 256 factory patches) - Glide - All knobs (excl. volume), sliders and most buttons transmit and receive MIDI cc - commands for external control and mappingSoftware Compatibility- Ableton Live Lite 9 is included - Peak is a USB-MIDI class compliant devicePower Requirements- Maximum power consumption 12V DC 1AProduct Dimensions- 233mm (9.17") width x 464mm (18.27") depth x 70.5mm (2.78") heightOS Compatibility- OS compatibilty not relevant for this product range/type